“I’ll never forget the day Marilyn and I were walking around New York City, just having a stroll on a nice day. She loved New York because no one bothered her there like they did in Hollywood, she could put on her plain-jane clothes and no one would notice her. She loved that. So as we we’re walking down Broadway, she turns to me and says ‘Do you want to see me become her?’ I didn’t know what she meant but I just said ‘Yes’- and then I saw it. I don’t know how to explain what she did because it was so very subtle, but she turned something on within herself that was almost like magic. And suddenly cars were slowing and people were turning their heads and stopping to stare. They were recognizing that this was Marilyn Monroe as if she pulled off a mask or something, even though a second ago nobody noticed her. I had never seen anything like it before.” - Amy Greene, wife of Marilyn’s personal photographer Milton Greene
(Source: beautilation, via underage-thinking)
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“
Sex is not a goddamn performance.
Sex should feel as natural as drinking water.
It should not require confidence.
Sex should happen, because the moment is ripe.
Ripening lips, ripening labia, ripening cock, ripening pupils, ripening state of being. Ripe and augmented and brimming. Your energy goes to your pumping heart, then to every external nerve, then to theirs, on fire.
You bask, roll, play in it. You sigh, moan, laugh.
It’s not about being “good in bed.”
It’s about being happy.
One should never worry if they’re doing it “correctly.” Sex is not factual. I don’t want your cookie-cutter sex, I don’t want your meticulously crafted, calculated, fool-proof fuck. I don’t want a show. I want you. Let your instincts, urges and whims define that. It’s enough.
What do most girls like? Forget about it. Statistics are meaningless when there’s only one. Hello, here’s me. Here’s you.
Don’t worry about taking it too slow. We got time. We got infinite rhythms, combinations, possibilities. Explore each fuck. Take our time. We can do a different one later.
Don’t worry about making me come. I’m here. Right where I want to be.
I am overwhelmed by wanting; you don’t have to convince me. I want you because I like you. So don’t put on a front. Don’t taint this.
I’m frustrated—it’s just authenticity I want.
It’s originality.
It’s passion.
It’s joy.
Don’t say that something I like is ugly. Don’t compare yourself to the rest. You will live and die with and within your experiences like everyone else. If someone thinks you are amazing, they are not wrong. Their universe is as real as any other; it is forged through perception.
I don’t care if you accidentally slammed my head into the wall, if you slipped out, if my arm cracked, if the delightful pressure of your wet lips on my anything made a silly sound. There is no right way and no wrong way.
“Good in bed,” what.
You’re good in my bed. I’m pleased you’re there. I feel it suits you.
Shove your technique. Let your memory swallow it. Fuck me like you’d fuck me, fuck me like you feel.
This isn’t a test.
”
—
(Source: nikolaiolivier, via sallymurphy)
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This series is based on the drawings made by snails on the wet sand in the intertidal zone. They are part of an ongoing series of works involving collaboration between the snails and me. I choreograph the snails’ starting positions, and then photograph the marks they make over time.
I tend to think of the snail pieces as a metaphor for the order we establish in our lives, and how the element of chance enters in to shape the result -regardless of how much we attempt to structure it. - Daniel Renalli, on Snail Drawings Series (1995-Present)
(via calcadao)
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